The name is not an overstatement. The much anticipated addition to the RED family is the answer to the professional's wildest dreams and exists as the most sophisticated and capable camera ever engineered and built. In a package one third the size of a RED ONE, resides a 5K Mysterium-X™ sensor and a 27 layer ASIC, the most advanced processor of its type in the world, enabling the RED EPIC to capture up to 120 frames per second, each frame at full 14MP resolution.
The RED EPIC is engineered to be a DSMC™ (Digital Still & Motion Camera), a camera that excels in both worlds … by design. Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film, this is the camera of the epoch. Add to that RED's newly developed HDRx™ extended dynamic range technology and EPIC boasts an amazing dynamic range of up to 18 stops.
Purpose-built for perfect multi-camera synchronization, The RED EPIC comes to market at a time when 3D capture requires the sophistication of a new generation of innovative technology. THE RED EPIC, very simply, is epic.
Contact PS Camera to discuss a RED EPIC camera rental package for your next shoot.
|Sensor||14 MEGAPIXEL MYSTERIUM-X™|
|Pixel Array||5120 (h) x 2700 (v)|
|Dynamic Range||13+ stops|
|Max Image Area||5120 (h) x 2700 (v)|
|Lens Coverage||27.7mm (h) x 14.6mm (v) x 31.4 mm (d)|
|Depth of Field||
|Project Frames||23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions|
|Delivery Formats||4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
|Monitor Output||HD-SDI and HDMI with Frame Guides and Look Around
2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
|Remote Control||Wireless, Ethernet, RS232, GPI Trigger|
|Weight||5lbs. (Body Only)|